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Initially trained as a graphic designer and sculptor at Liverpool College of Art —66 , he subsequently studied in Paris at Stanley William Hayter's famous printmaking Atelier 17, before enrolling at the Slade School of Art in London in sculpture and printmaking. Renowned for his innovative approach, Chang merged playfulness with fantasy in his vibrant jewellery, sculptures, and furniture, taking inspiration from nature, urban environments, and his cultural heritage, his distinctive aesthetic defined by the use of recycled plastics and acrylics, often sourced from Liverpool's Chinatown.

Initially trained as a graphic designer and sculptor at Liverpool College of Art —66 , Chang's artistic path was deeply influenced by the Pop Art culture prevalent during his formative years in Liverpool. His early exposure to diverse cultural influences in Toxteth, coupled with his mixed Chinese and British heritage, fostered an innate love for vibrant colours and patterns, which would become hallmarks of his work.

He subsequently enrolled at the Slade School of Art in London, where he pursued postgraduate studies in sculpture and printmaking. An eclectic artist, Chang was best known for his jewellery, which he began creating in the mids; however, he also made sculpture, furniture, and designed gardens. Visually stunning, his pieces were imbued with a sense of playfulness and fantasy.

He sought to create a synthesis between jewellery and sculpture, infusing his work with elements of fun and whimsy. Chang's jewellery often featured exotic shapes, taking inspiration from many sources, including nature, urban environments, and his own cultural heritage. This eclectic approach resulted in pieces that were both provocative and enchanting, capturing the imagination of all who encountered them.

Chang's deliberate and symbolic choice of materials — primarily plastic and acrylics — was driven by his desire to utilise recycled items and found objects, such as signage from Liverpool's Chinatown. This approach also helped to define his aesthetic, with red and yellow emerging as dominant colours in his work, mirroring the vibrancy of the Chinese community.

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The influence of surrealism is also evident across his work, from unusual, quirky shapes and details to the contrasting combinations of colours and patterns. Chang's use of innovative materials was revolutionary, turning everyday objects into extravagant, outlandish creations that challenged conventional notions. His jewellery pieces were not just accessories but wearable sculptures, characterised by oversized forms, electric hues, and meticulous finishes.